Endre Tót
About the artist
From 1959 until 1965, Endre Tót studied mural art at the University of Applied Arts in Budapest. His early work was defined by lyrical, calligraphic paintings that were closely related to informel, while at the end of the 1960s pop art also had a serious influence on his practice: he participated in the legendary ‘Iparterv’ exhibitions (1968–69) with minimalist, geometrical surfaces combined on collage-like pictures. In 1971, he gave up painting and, under the influence of conceptual art, new media appeared in his work (telegrams, postcards, postal stamps, rubber stamps, film, posters, graffiti, banners, actions, artist books, etc.). From this point onwards, he devoted his work to the investigation of three key concepts, Nothing/Zero, Rain and Gladness. In 1978 Tót left Hungary for a DAAD scholarship in Berlin and a year later he settled down in Cologne. In the late 1980s, he returned to painting, working with the conceptual ideas developed by him in the 1970s. Tót’s works have been showcased at numerous international exhibitions in the past decades held at such venues as the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Tate Gallery in London among others. He had retrospective exhibitions at the renowned Museum Ludwig in Cologne (1999), the Museum Friedericianum in Kassel (2006), and the MODEM in Debrecen, Hungary (2012).
Bibliography
Sinkovits Péter: Tót Endre kiállítása, : Művészet, 1968/9. Perneczky Géza: A líraiság és a konstruktivizmus új útjai a magyar festészetben, Corvina, Kiadó, Budapest, 1969. Székely András: Kiállítási krónika 1968–69, Corvina Kiadó, Budapest, 1970. Poinsot, Jean-Marc (szerk.): Mail Art Communication. A Distance Concept, Cedic, Paris 1971. Groh, Klaus: Aktuelle Kunst in Osteuropa: CSSR, Jugoslavien, Polen, Rumänien, UdSSR, Ungarn, DuMont, Köln, 1972. Friedman, K. - Weaver, M. - Mayor D. (szerk.): FLUXshoe. British Tour, Museum of Modern Art Oxford, Beau Geste Press, Devon, 1972. Kochman, J. H. (szerk.): Stamp Activity. Brno, 1972. Sík Csaba: Rend és kaland, Magvető Kiadó, Budapest, 1972. Friedman, K. - Unetta, S. (szerk.): Source: Music of the Avantgarde, , Summer Issue II., 1972. Beke László (szerk.): Hungarian Schmuck, Beau Geste Press, Cullompton/ Devon, 1972. Sandberg, W. (szerk.): An Annual of New Art and Artist 73–74. DuMont, Köln, 1974. Asztalos, Anik Cs. (Körner Éva): No Isms in Hungary, in: Studio International, London, 1974/3. Felter, G. (szerk.): Artist’s Stamps and Stamp Images, Simon Fraser University, Burnaby, 1974. Politi, G. (szerk.): Flash Art. . 48–49, ánó, . IV. British International Print Biennale (kat.), Bradford, 1974. IV. Drawing Triennale (kat.), Museum of Architecture, Wroclaw, 1974. V. International Print Biennale (kat.), Krakkó. IV. Exposition Internationale de Dessins, 1974. Originaux (kat.), Moderna Galerija, Rijeka, 1974. Du, No.7, Zürich, 1974. Fischer, H. (szerk.): Art et Communication Marginale. Balland, Párizs, 1974. Beke László: Örülök, ha ..., in: Fotómûvészet, 1976/3. Woimant, F.–Miessner, M. (szerk.): L’Estampe Aujourd’hui. 73/78, Bibliotheque Nationale, Párizs, 1978. La practica politica, : Artwork, Milánó, 1978/1. Distel, H.: Museum of Drawers, Bern, 1978. Salzmann, S. (szerk.): Mona Lisa im 20. Jahrhundert(kat.), Wilhelm Lehmbruck Museum, Duisburg, 1978. Svart á Hvitu (kat.), Galleri Suburgata, Reykjavik, 1978. Baier, H. A. (szerk.): Kunstmagazin, 1979/2. Neusüss, F. M. (szerk.): Fotografie als Kunst–Kunst als Fotografie, DuMont, Köln, 1979. Nabakovski, E. (szerk.): Heute Kunst, 1979/3-4. Oliva, A. B. (szerk.): Europe / America the Different Avantgardes, Deco Press, Milánó, 1979. Testuale – Le parole e le immagini. Caroli-L.Caramel Mazotta, Milánó, 1979. Das Kunstwerk, XXXII., l979/8. Ohff, Heinz: Ich bin so froh... Zwölf Räume und ein Armbruch, in: Der Tagesspiegel, 22. Mai, Berlin, 1979. Sauerbier, S. D.: Zwischenn Kunst und Literatur, : Kunstforum International, Band 37, 1980/I. Weeichardt, J. (szerk.): Kunst in sozialistischen Staaten, Verlag Isensee, Oldenburg, 1980. Kirres, D. – Hundertmark, A: 10 Jahre Edition Hundertmark 1970–80, DAAD, Berlin, 1980. Sinkovits Péter: Gesztus és mûvészi érték, in: Mûvészet, 1980/5. Zutter, J.: Osteuropäische Avantgarde Bietet Vielseitiges Bild, Kunst-Bulletin, 1980/6 Pohlen, A.: Very Special Gladness, in: Kunstforum, Band 40, 1980. Ulrike Mond: Bloße Freude am Demonstrieren, in: Bonner Rudnschau, 11. Juni, Bonn, 1980. Guest, T. – Celant, G.: Books by Artists, Art Metropole, Torontó, 1981. Beveren, P. (szerk.): The Archives/ Art Info, Centre Peter van Beveren, Provincial Museum,
